Musical Modernism

[Dissertação de Mestrado] Simetria intervalar e rede de coleções: análise estrutural dos Choros nº 4 e Choros nº 7 de Heitor Villa-Lobos (2014)

Music Theory / Neo-Riemannian Analysis / Music analysis / Musical Modernism / David Lewin / Symmetry / Musical Analysis / Análise Musical / Nacionalismo / Villa-Lobos / Pitch-class Set Theory / Heitor Villa-Lobos / Heitor Villa-Lobos (1887-1959) / Teoria e Análise Musical / Neo-Riemannian Theory / Choros Nº4 / Choros Nº7 / Inversional Symmetry / Pitch-class theory, Analysis of Post-tonal music / Dmitri Tymoczko / Simetria intervalar / Scale Networks Tymoczko / Richard Cohn / Symmetry / Musical Analysis / Análise Musical / Nacionalismo / Villa-Lobos / Pitch-class Set Theory / Heitor Villa-Lobos / Heitor Villa-Lobos (1887-1959) / Teoria e Análise Musical / Neo-Riemannian Theory / Choros Nº4 / Choros Nº7 / Inversional Symmetry / Pitch-class theory, Analysis of Post-tonal music / Dmitri Tymoczko / Simetria intervalar / Scale Networks Tymoczko / Richard Cohn

Centros e contornos: mudança e instabilidade na música atual

Experimental Music / Musical Modernism / Noise / Radicalism

Thomas Adès plural: uma resenha

Contemporary Music / Classical Music / Musical Modernism / Thomas Ades

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